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Still a fixture in many high school English classrooms, Arthur Miller’s Death of a Salesman remains a searing examination of...

Why shouldn’t we want to be happy? Why shouldn’t we do everything possible to feel that way? There go hundreds...

Mental health is everywhere these days, and we need to talk more about it. Maybe you know someone who suffers...

If the end of the world is coming, Julia Lederer’s I Am An Island imagines it arriving not with panic,...

In her programme note, director Molly Atkinson offers a succinct key to Samuel Beckett’s masterpiece: “There are two absolute certainties...

At its official Stratford Festival matinee opening, The Hobbit draws exactly the audience one might expect: families, children, and devoted...

Mouldy walls, graffiti tags, and electrical wiring. Tufts of grass sprouting through cracks in the concrete. There is even a...

A revival of an iconic musical has to do more than trade on affection. It has to make a case...

Does Guys and Dolls still work on a twenty-first-century stage, even if the title may strike some as slightly sexist?...

Kristen Da Silva’s Sugar Road opens with a premise tailor-made for the Thousand Islands theatre: at a fading fairground, Hannah...