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Still a fixture in many high school English classrooms, Arthur Miller’s Death of a Salesman remains a searing examination of...

In her programme note, director Molly Atkinson offers a succinct key to Samuel Beckett’s masterpiece: “There are two absolute certainties...

At its official Stratford Festival matinee opening, The Hobbit draws exactly the audience one might expect: families, children, and devoted...

Mouldy walls, graffiti tags, and electrical wiring. Tufts of grass sprouting through cracks in the concrete. There is even a...

Does Guys and Dolls still work on a twenty-first-century stage, even if the title may strike some as slightly sexist?...

Kristen Da Silva’s Sugar Road opens with a premise tailor-made for the Thousand Islands theatre: at a fading fairground, Hannah...

Who reads a review of Dog Man: The Musical? That was the first question I found myself asking while writing this....

With the performance rights to Come from Away now available to numerous regional professional theatres across Canada, it is unlikely...

Toronto audiences will witness the tragic Romeo & Juliet turned upside down by a simple question: What if Juliet didn’t...