In his Director’s Note, Director Gregory Prest places Twelfth Night’s importance in context for audience understanding. It is a celebration,...
Read moreBrodie’s much-produced play is both a fierce and whimsical study of the one-room schoolhouse in rural Ontario in the early...
Read moreOscar Wilde’s The Importance of Being Earnest at Stratford’s Avon Theatre emphasizes both the play’s verbal wit and its visual...
Read moreCan a funeral be funny? In director Aaron Jan’s hands, the answer is an emphatic yes. In his program note,...
Read moreSinners reveals some of the secrets that have made Fredericton’s Norm Foster the most produced playwright in Canada. It is...
Read moreThe production relies on the audience’s willingness to accept the play’s supernatural framework and enter its world of fairies, sprites...
Read moreIf the end of the world is coming, Julia Lederer’s I Am An Island imagines it arriving not with panic,...
Read moreMouldy walls, graffiti tags, and electrical wiring. Tufts of grass sprouting through cracks in the concrete. There is even a...
Read moreKristen Da Silva’s Sugar Road opens with a premise tailor-made for the Thousand Islands theatre: at a fading fairground, Hannah...
Read moreReview by East Coast Guest Writer Chris Coculuzzi A simple, haunting melody followed by the crash of thunder as a...
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