‘Tiger Bride’ trusts the evocative power of music and the undeniable talent of its creators.
Before anything else, dear reader, start with the image. Pause over the proshot I’ve selected for this review. Notice the...
The Happiness Mandate in Bowtie Productions’ “Next to Normal”
Why shouldn’t we want to be happy? Why shouldn’t we do everything possible to feel that way? There go hundreds...
Crow’s and The Grand’s ‘Primary Trust’ gives a nimble production to a script that never tightens the screws
Mouldy walls, graffiti tags, and electrical wiring. Tufts of grass sprouting through cracks in the concrete. There is even a...
Dog Man and children’s right to silliness. Clean comic timing
Who reads a review of Dog Man: The Musical? That was the first question I found myself asking while writing this....
What remains of revolution? Inside The Howland Company and Buddies’ take rimbaud
Susanna Fournier and ted witzel on youthful rage, artistic risk and the decade-long process behind the world premiere Revolution is...
MOURNING AND TENDERNESS IN ‘HAMLET SWEET PRINCE’
I remember a post-show talk after a noir version of A Midsummer Night’s Dream at one of Italy’s major theatres....
