Guest Writer: Alessandro Stracuzzi, a Toronto-based theatre critic and performance researcher with a focus on contemporary and experimental work. He...
Read moreHere’s the link to my earlier review of The Surrogate in March at Crow’s Theatre: https://ourtheatrevoice.com/bold-and-unsettling-silence-speaks-volumes-in-the-world-premiere-of-the-surrogate/ You can find the...
Read moreMatthew Mackenzie's Strife, set in Alberta's oilsands, examines themes of healing and resilience within Indigenous culture. The narrative addresses identity...
Read moreSometimes, the impact of a solo performance lingers long after the curtain falls. That was certainly true for Boys With...
Read more(Guest writer: Izzy Siebert- participant in ON Criticism: The 2025/26 Theatre Critics Lab, with partners – the Grand Theatre, Intermission...
Read moreSet in Victorian England, The Moors unfolds in a remote, desolate manor in the dank English countryside where two spinster...
Read moreChase the Ace follows Charlie King, a big-city radio host, who believes he has everything. That is, until his wife...
Read moreZaiba Baig’s two one-acts, set in different locations, are linked by fractured individuals who seem willing to do anything to...
Read moreAfter its sold-out 2023 national tour, Sound The Alarm Music/Theatre returns to stages across the country, bringing its celebration of...
Read moreConfidently co-directed by playwright Yolanda Bonnell and Carmen Alvis, White Girls in Moccasins frequently resonates with humour, touches on dramatic...
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