If the end of the world is coming, Julia Lederer’s I Am An Island imagines it arriving not with panic,...
Read moreIn her programme note, director Molly Atkinson offers a succinct key to Samuel Beckett’s masterpiece: “There are two absolute certainties...
Read moreAt its official Stratford Festival matinee opening, The Hobbit draws exactly the audience one might expect: families, children, and devoted...
Read moreMouldy walls, graffiti tags, and electrical wiring. Tufts of grass sprouting through cracks in the concrete. There is even a...
Read moreAn extremely important twenty-first-century play about the importance of the family unit and forgiveness, Aksam Alyousef’s Karma has moments when...
Read moreDescribed on the Howland Company Theatre website as a love letter performance poem, Susanna Fournier’s take rimbaud is set in...
Read moreDavid Yee and Chris Thornborrow’s cicadas is an edge-of-the-seat tale that grabs attention from the top of the show and...
Read moreWho reads a review of Dog Man: The Musical? That was the first question I found myself asking while writing this....
Read moreWritten and Performed by Daniel MacIvor. Presented at the Bus Stop Theatre in Halifax by reWork Productions and 2b Theatre....
Read moreCanada, let’s keep learning more about Indigenous peoples and their gifts to the country because it’s worth it. This knowledge...
Read more© 2025 Our Theatre Voice.