Guild Festival Theatre’s ‘Brontë: The World Without’ is a resilient production.
It honours playwright Jordi Mand's text while finding its own quiet force on Scarborough's Greek amphitheatre stage. In Bronte: The...
Halifax Neptune’s ‘Rent’ is filled with infectious energy, heartfelt sincerity and Love
Review written by East Coast Guest Writer Chris Coculuzzi (Chris has been involved in independent and community theatre for more...
‘Ghosts of My House’: A raw, unsettling world premiere examines grief, memory and the difficult work of rebuilding
A mother (Laura de Carteret) and her three adult daughters: L (Siobhan O’Malley), M (Kelly Van der Burg), and B...
‘THE SECRET CHORD: A Leonard Cohen Experience’ offers a resonant musical portrait of an artist who continually resisted easy definition.
Soulpepper’s production of The Secret Chord: A Leonard Cohen Experience, now presented by Mirvish at Toronto’s CAA Theatre, approaches Leonard Cohen's...
VOICE CHOICE: The Capitol Theatre’s ‘Come from Away’ is a carefully mounted and emotionally resonant production.
Distinguished by assured, astounding vocal work from a strong ensemble and a sustained focus on its theme of generosity, Irene...
With a wink and nod of homage, director Thomas Alderson aims to send audiences out of ‘Grease’ with a love of nostalgia.
Is Alderson successful in bringing audiences back to a time when people felt joy and aliveness? While this audience clearly...
An intimate and deeply human theatrical experience, ‘A Conversation With Myself’ transforms anonymous confessions into a moving act of collective reflection – and it is a journey well worth taking.
(Guest writer Albert Mastromartino) By blending performance with voluntary audience participation, Michael Sachter Projects has created a work that sits...
While a promising world premiere celebrating Blue Rodeo’s music, ‘In the Key of Blue’ still needs a tighter book, cleaner pacing and steadier sound mix.
The first duty of a new Canadian musical is to prove it belongs on stage. In the Key of Blue,...
‘Cusp’ nods and winks to 1980s coming-of-age cinema while searching for its own contemporary pulse.
There is something endearingly earnest about Cusp, a one-hour late-afternoon opening that arrives at Toronto Fringe with its heart fixed...
Tahirih Vejdani delivers an assured performance, combining strong vocal command with a carefully calibrated sense of theatrical allure.
From its opening moments, the world premiere of Born to be Bad: The Villains of Broadway establishes a confident and...
