Beneath the silent pause following the concluding blackout of playwright/director Andrew Kushnir’s world premiere of The Division lies a gut-wrenching...

The theatre is meant to be educational as well. It’s not always about sitting back and being entertained. Sometimes we...

From a practicing Catholic perspective, the world premiere of Erin Shields’ Mary, Mary, Mary, Mary is strikingly beautiful to look...

I chose not to read the trigger warnings listed on the Coal Mine website for Dance Nation. I don’t have experience...

A production that blends comedy, drama and touches of magic, leaving the audience awestruck in its final moments, is truly...

Guest Writer: Alessandro Stracuzzi, a Toronto-based theatre critic and performance researcher with a focus on contemporary and experimental work. He...

Here’s the link to my earlier review of The Surrogate in March at Crow’s Theatre: https://ourtheatrevoice.com/bold-and-unsettling-silence-speaks-volumes-in-the-world-premiere-of-the-surrogate/  You can find the...

Matthew Mackenzie's Strife, set in Alberta's oilsands, examines themes of healing and resilience within Indigenous culture. The narrative addresses identity...

Sometimes, the impact of a solo performance lingers long after the curtain falls. That was certainly true for Boys With...

(Guest writer: Izzy Siebert- participant in ON Criticism: The 2025/26 Theatre Critics Lab, with partners – the Grand Theatre, Intermission...