Commentary: ‘God of Carnage’ staged by ACT
This is not a review of the upcoming production of ACT’S God of Carnage by Yasmina Reza. I’m unable to...
These Shining Lives PRESS RELEASE
Village Players presents These Shining Lives by Melanie Marnich. A group of courageous women confront the toxic health hazards of...
Opera Atelier’s 2026/27 season: A Season of Heroes.
My introduction to viewing opera continues to be enhanced by seeing more productions through Toronto’s Opera Atelier. The season, recently...
Eldritch Theatre’s ‘Night at the Grand Guignol’ offers a devilishly ghoulish, humorous evening of entertainment. Let’s remember its context, though.
This time around, the dastardly, devious, and diabolical Eric Woolfe’s imaginative, creatively depraved sleight of hand takes centre stage as...
A polished production. Deborah Hay and Terra C. MacLeod deliver genuine, soulful work. Smart, classy, and respectful.
The story of Édith Piaf and Marlene Dietrich offers an engaging exploration of the true meaning of friendship. Originally written...
LOVE YOU FOREVER AND MORE MUNSCH: “Lovely. Whimsical. Smile-Inducing. Absolute joy. A definite family trip to the theatre is in order.
Set designer Robin Fisher’s fantastically colourful, oversized three-dimensional world of the young Mortimer, Love You Forever and More Munsch is...
A prophetic EUREKA DAY and conversation with director Mitchell Cushman
A recent Zoom call with Outside the March’s Artistic Director, Mitchell Cushman, who is directing the Canadian premiere of Eureka...
VOICE CHOICE for Assembly Theatre’s risk to stage a definite must-see in ‘Red Rabbit White Rabbit.’
Nassim Soleimanpour’s White Rabbit Red Rabbit is billed by The Assembly Theatre as part theatrical experiment and part social experiment...
SEARCHING FOR AIMAI: Performed with dignity and class by Coleen Shirin MacPherson. Raha Javanfar directs with clear intention and purpose.
Coleen Shirin MacPherson’s Searching for Aimai becomes a one-hour, intense solo performance. Director Raha Javanfar’s vision is clear. By working...
An achingly raw and genuinely believable performance by Gabriella Sundar Singh. Riveting. I bought every second of her work.
Anusree Roy’s world premiere, Through the Eyes of God, a follow-up to Pyassa (2007, Theatre Passe Muraille), centres on young...
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