The production relies on the audience’s willingness to accept the play’s supernatural framework and enter its world of fairies, sprites...
The Festival’s return of Something Rotten! invites repeat viewing, not only for its energy but for its juicy wordplay and...
As he nears the end of his tenure as artistic director of the Stratford Festival, Antoni Cimolino leaves on a...
Still a fixture in many high school English classrooms, Arthur Miller’s Death of a Salesman remains a searing examination of...
If the end of the world is coming, Julia Lederer’s I Am An Island imagines it arriving not with panic,...
In her programme note, director Molly Atkinson offers a succinct key to Samuel Beckett’s masterpiece: “There are two absolute certainties...
At its official Stratford Festival matinee opening, The Hobbit draws exactly the audience one might expect: families, children, and devoted...
A revival of an iconic musical has to do more than trade on affection. It has to make a case...
Does Guys and Dolls still work on a twenty-first-century stage, even if the title may strike some as slightly sexist?...
Kristen Da Silva’s Sugar Road opens with a premise tailor-made for the Thousand Islands theatre: at a fading fairground, Hannah...
