In this world premiere, playwright Franca Miraglia draws on an enduring fascination with Hollywood’s Golden Age, using it as a...
Read moreAt this opening-night Toronto engagement, the production demonstrates how effectively horror can function onstage when handled with technical precision and...
Read moreThe production relies on the audience’s willingness to accept the play’s supernatural framework and enter its world of fairies, sprites...
Read moreAs he nears the end of his tenure as artistic director of the Stratford Festival, Antoni Cimolino leaves on a...
Read moreBefore anything else, dear reader, start with the image. Pause over the proshot I’ve selected for this review. Notice the...
Read moreWhy shouldn’t we want to be happy? Why shouldn’t we do everything possible to feel that way? There go hundreds...
Read moreMental health is everywhere these days, and we need to talk more about it. Maybe you know someone who suffers...
Read moreIf the end of the world is coming, Julia Lederer’s I Am An Island imagines it arriving not with panic,...
Read moreIn her programme note, director Molly Atkinson offers a succinct key to Samuel Beckett’s masterpiece: “There are two absolute certainties...
Read moreAt its official Stratford Festival matinee opening, The Hobbit draws exactly the audience one might expect: families, children, and devoted...
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